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PEER-REVIEWED ARTICLES

“‘A Corporeal Supplement’: Blackface, Disability, and Prosthesis in the Minstrelsy of Bert Williams.” Studies in Musical Theatre 19, No. 2 (2025): 167-181.

“‘The Sound of That Rage’: bell hooks, James Baldwin, and the Sonic Pedagogies of Black Rage.” The Comparatist 48 (November 2024): 124-143.

“Site(s), Sight(s), and Memory: The Anxiety of Morrison’s Influence on bell hooks.” South Central Review 41, no. 1 (Spring 2024): 81-99.

“‘To Enact a Postmodernism of Resistance’: The Transgressive Thought of bell hooks and the Interdisciplinarity of White-Supremacist Capitalist Patriarchy.” USAbroad: Journal of American History and Politics 6, no. 1 (2023): 39-52. 

“‘The One Who Decides on the Exception’: The Sovereign and Sovereignty in Slavoj Žižek’s Political Theology after Carl Schmitt and Giorgio Agamben.” International Journal of Žižek Studies 15(1), 2021.

“The Existential Demands of Race: Dialogues in Theological Anthropology.” Journal of African American Studies 24(2), 2020.

“‘Right Step (Albeit in the Wrong Direction)’: Žižek on Heidegger’s Nazism and the Domestication of Nietzsche.” International Journal of Žižek Studies 14(1), 2020.

“Dialectics and Hegelian Negation in Slavoj Žižek’s Enjoy Your Symptom: Fighting the Fantasies of Trauma, Identity, Authority, and Phallophany.” International Journal of Žižek Studies 13(2), 2019.

Between Activism, Religiosity, and the Public Sphere: The Intellectual Insurgency of bell hooks.” Journal of African-American Studies 23(3), 2019.

“The Meaning of the Epistemological Situation: Reading Douglass Rushkoff’s Program or Be Programmed with Slavoj Žižek’s A Pervert’s Guide to Ideology.” International Journal of Žižek Studies 12(3), 2018.

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